My most recent public work was an audio-visual environmental installation, developed as part of the practical stage of my PhD research, which was exhibited in January 2018. This work was created as a response to the active and immersive relationship between audience and artwork.
Prior to the realisation of this work, I undertook four experimental stages which refer to many of the techniques used by the four composers in their works and performances: repetition, form, colour, layering, light and process, while also relating to their use of venue and space:
Prior to the realisation of this work, I undertook four experimental stages which refer to many of the techniques used by the four composers in their works and performances: repetition, form, colour, layering, light and process, while also relating to their use of venue and space:
1
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Developing a series of artistic responses to existing Minimalist compositions, starting by choosing the colours and shapes that I feel best represents the work, and finishing in a pastel sketch to visually illustrate the piece of music.
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2
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Focusing on one of these pieces and creating ‘mock ups’ of what could be developed into larger works. I arranged plastic circles into a geometric grid pattern and noted the effect of different forms and intensities of light on the surrounding space. I also examined the effect of layering the plastic circles, and how they could be used as filters through which to view the space beyond.
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3
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Creating an animation showing how the coloured elements work together in my interpretation of the same piece as considered in the previous stage.
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4
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Creating a larger-scale mock up of a coloured object, through which I was able to observe the effects of using different light sources. Again, the piece of music from the previous stages was the inspiration for this.
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